Category Archives: the bonesmith’s union: works by other artists

The Bonesmith’s Union: Melanie’s Menagerie and the Danse Macabre of the DEADutante’s Ball

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As we slide neatly across the waist of the halfway point of dia de los muertos observances and prepare to pull the curtain on The Folk Tree’s seasonal exhibit, I’m reminded once again of just how fortunate I’ve been over the last few months. In addition to the explosive promotional gains that the Comrade’s Calacas FB Group has been making, there’s the fact that this blog’s resurrection has put me in touch with an entire cadre of fascinating artists and editors, the inspiration from which has helped tremendously in terms of dealing with the inevitable “off-season” that the muerte arts typically take throughout the winter months.

One such fellow bonesmith is Melanie Nord-Monsees, or–as she’s known in her Etsy circles–Melanie’s Menagerie. I was unfamiliar with Melanie’s work before firing myself back into the blogosphere in August, but I’ve become quite a fan of her style in the time since: as I’ve mumbled on about before, calacas and calaveras are an artistic genre that’s easy to pick up, but extremely difficult to personalize in any profound or intriguing fashion. There’s only so much that a sculptor or painter can do with a human skeleton, which means that a considerable amount of “day of the dead” artisans are content to simply slap some candy-skull detailing on their work and call it qualified; it fits the bare minimum requirement to compel the observer or buyer to acknowledge what it’s supposed to be, but not much else.

la bella morte.

Melanie’s work, on the other hand, is completely unique and truly elegant. Much like a Clay Lindo diorama, there’s no mistaking the deft touch of the creator when canvassing her offerings: her characters are meticulously sculpted and beautifully dressed, with equal attention paid to both the delicate build of her calaveras and their shelf-ready aesthetic. Like the best bonesmiths, she maneuvers effortlessly between the gleeful and the ghoulish, and is seldom content to painting herself into just one corner of the genre.

la diabolita.

I would wholeheartedly invite you to check out Melanie’s Etsy offerings here, and to give her blog a due read-over, if you’re in the market for some entertaining insights into her process. Good stuff abounds.

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The Bonesmith’s Union: Jtnee’s Ode to Django Reinhardt

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Jody Travous Nee–or Jtnee, as her Etsy faithful know her as–has been one of my favorite artisans for a while and a half, now. Aside from the endlessly quirky creations that she’s constantly milling out (Seriously; her work output–and the quality that she somehow maintains while doing so–puts even the heartiest and hardcore craftsfolks to shame), the fact that she specializes in sculpture that’s truly palm-size is something that I’m constantly amazed by. And while she doesn’t exclusively deal in dia de los muertes fare, she nevertheless rocks the genre with her occasional pieces which feature one of her token characters–“Mr. Muerte”–in a number of poses and purposes. In the link below, he’s channeling the late gypsy guitar maestro, Django Reinhardt:

Heeere’s Django. Or a 1/20th version of him, anywho.

Jody’s cavalcade of half-pint masterbits can be enjoyed at her Etsy headquarters, here. Definitely worth a look for anybody who loves them some calacaliciousness, or just well-crafted fare for decorating one’s desk.

The Bonesmith’s Union: Clay Lindo’s “Joey and the Zombie”

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I was contemplating doing something Halloween-themed this year, but–thanks to the endless talent and unparalleled quirkiness of Ms. Tamra Kohl–the holiday’s calavera-related needs have been effectively handled:

Boo, sucka!

Run, bone-boy, run!

The piece is currently up for auction at eBay, and the opening bid is WAY too low. Check it out at the following link!

Joey and the Zombie!