PWX: Confessions of a Lucha Mooch-ah


Much like Ray Liotta in “Goodfellas,” I always held at least one distant dream dear when I was a wee lad: amidst these furtive, week-long obsessions with becoming a great three-point shooter, a mortician’s assistant, a children’s book illustrator and an actor were a few constants… following in my mother’s footsteps and becoming an opera singer, or parlaying my love of all things that went “va-va-vroom” into a career as a race car driver.

Likewise, I also—as long as I can remember—wanted to be a video game designer. One of my earliest recollections of discussing the more “serious” side of our bi-weekly trips to the video arcade with my old man was when I asked him outright how they got all of that stuff into a television screen. I’m sure his answer—which would have been shelved somewhere around 1984—was an educated guess about cathodes and computer coding, but it proves out a hindsight point about that lifetime obsession. Wherever I’ve gone and go, the grand-scape of gaming and my fascination with it continue to swagger along with the passing years in lockstep.

Of course, there’s also a minor point to add to this unedited daisy-chain of late-night thought (And one which I hope is moderately more interesting than another explanation as to why it’s been months since I’ve updated this sucker… that story lacks drama and nutritional value, if it’s any consolation), and it’s as follows: of all those haywire daydreams of mine, the only one that I really achieved did actually turn out to be the game design thing. In around 2002, a slippery slope of happenstance put me in touch with a guy named Dave Wishnowski, who had this insane notion of a homebrew pro wrestling game which would be released on the same basic tenets as an independent movie. In a pre-Steam, pre-wireless, pre-damn-near-everything-that-defines-contemporary-game-distribution-world, this cockamamie concept was as far-flung as it was far-sighted, and my involvement with the development gave me a chance to actually create an entire “diegetic” universe of pro wrestling characters from every corner of the globe. The satchel-full of memories that resulted—hazy afternoons in a stripped-down office space in Vancouver’s industrial quarter, piling around the show floor at e3 and holding meetings with publishers, doing “research” at low-fi independent wrestling card headlined by a then-unknown Bryan “The American Dragon” Danielsen—are some of my fondest recollections of what turned out to be a pretty otherwise-lost decade of twenty-something years… so when Dave asked me if I’d be interested in coming up with a few calacas as a “tier sweetener” for a Kickstarter initiative that he recently rolled out, I was only too happy to do a cannonball back into that particular swimming pool.


(See? There was a point to all that nostalgic daisy-cutting!)

Now, if I recall correctly, El Tirador was the first character that I came up with for the game. I think I sketched him out during a math class at Citrus College, on nothing more than a random whim about a wrestler with a Crusader-cross motif (Something that Rey Mysterio Jr. would ironically wind up featuring heavily on his ring gear about three or four years later). I didn’t intend for the guy to become anything more than a filler spot on the roster, but the design really took off with our slavishly devoted fan base, and he wound up also being the first character to feature in the Pro Wrestling X demo that we took to e3 in 2004. It seemed only natural that he’d also be the go-to for the Kickstarter tier, with two stalwart dona-teers ponying up the extra cash for their very own desktop “Shooter.”


After some contemplation, I decided that I didn’t want to mold the same figure twice. I spend so much time rankling artistic repetition on this very blog that it’d read like a son of a bitch to admit that I’d done exactly that thing for the sake of ease: instead, I decided to put together two separate “looks” for Tirador. The first, as seen in the pictures above, is his “classic” design: brighter red and yellow, “Crusader Mask” t-shirt, EMLL national lightweight title on his shoulder.

puro macho.

puro macho.

The second is pretty much how I think a modern “reimagining” of the same character would look: darker red, different accents on the mask, and the EMLL’s “Triples Tag” title brandished in a similar pose.



The t-shirt he’s got on features the character originally intended to be his tag team partner—“Aztlan”—and the old “LPI/Los Perros Infiernos” logo on the front. I do realize that the amount of weird, insider-style detail that I wound up pouring into each design is a bit odd (I mean, seriously: nobody other than the readers of this blog or those who have been following the game since Day 1.7 would understand what the hell that’s referring to), but… as mentioned above, it was just a great chance to step out of the day-to-day shoes of the working stiff and slide into the slippers of what was.



And hey: we’re on the short road to October, again. Expect some life to be breathed into this spot, as the sun finally starts to shine over Seattle, and the annual show pieces start to come together. The shop’s tided up, I’ve got time to burn, and my fingers are itching to get crusty-coated with paperclay. Stay tuned.

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